![]() The Ovation is equipped with a MIDI pickup to use with a Roland guitar synthesizer.Īl Di Meola has 2 Godin Multiac guitars: a Godin Multiac Jazz and a Godin Multiac Nylon SA model. In the studio, he records the Ovation 60% microphone and 40% direct signal. One thing he likes about the Ovations is that its strings do not have bridge pins, they attach at the rear of the bridge. Most of the album Cielo e Terra is recorded with the Ovation. Paco De Lucia also plays Conde Hermanos guitars.Īl Di Meola has an Ovation signature model. To amplify the guitar, Al uses a Schoepps C-530 condenser microphone and an RMC piezo pickup. He had the guitar modified with a Florentine cutaway. The guitar is almost 30 years old and has tremendous beauty and great sustain.Īl Di Meola also has a signature model made by Felipe Conde. The Conde family from Madrid (Spain) is a famous guitar-building family.Īl Di Meola uses a Conde nylon-string guitar on recordings like World Sinfonia, Winter Nights, and Elegant Gypsy. If the Satriani signature is out of budget or unavailable, the standard Marshall JVM410H comes close.Al Di Meola is an influential guitar player who blends different musical styles such as jazz, flamenco, and rock into his recognizable fusion sound.Īl Di Meola uses a sophisticated pedalboard running through his amps.Īcoustically, he uses a microphone and the line from his guitar, using an RMC pickup that picks up the natural sound of his guitar and also accesses a divider into his Roland VG-88 guitar synth.Īl Di Meola – Guitars Conde Hermanos Guitars And bass, while we’re at it.”Īgain, the complex amp is a testament to Opeth’s versatility and ability to play quiet or loud, depending on the song. I appreciate that, because it doesn’t change the characteristic of the amp’s tone - I dial the last one in with a bit more volume and slightly more treble and gain. The second channel has that classic twin-channel JCM800 crunch sound, while the two OD channels are almost identical. “You can roll the volume down on your guitar a lot,” Åkesson said, “plus it has MIDI and a noise gate. In a 2017 interview with Music Radar, Åkesson said he uses a Marshall JVM410HJS Joe Satriani signature head and eventually got Åkerfeldt hooked on the amp, as well. It would be too complicated.” Åkesson himself uses a short scale piezo-equipped PRS P245, a PRS Mark Tremonti signature, and a PRS 594 semi-hollow. ![]() But when it comes to recreating these moments in the live setting, the band must adjust on the fly and have a multitude of effects at the ready.Īdded Åkesson, “Plus, the changes are too quick for us to jump between an. The many twists and turns of an Opeth album constitute hours of technical studio work and musical skill. Instruments and sounds are chosen and mixed with upmost care and discretion. That’s why albums like Blackwater Park and Damnation have such a cinematic, otherworldly quality. Opeth are foremost practitioners of sound design, a concept that takes a macro view of the musical whole, each instrument and sound building into one cohesive whole. Whether metal or prog, there is always a sense of grandiosity to their performances and albums, a massive theatrical sound encompassing the music, artwork, and universe of Opeth. Åkerfeldt would trade his death growls for the beautiful tenor that his new songs demanded. The death metal of Opeth’s early work gave way to more acoustic, expansive arrangements in latter years. ![]() Chief songwriter and frontman Mikael Åkerfeldt has steered the band through many styles and iterations over a highly successful career, rarely content to settle on any one genre or blanket sound. Opeth have become one of the most revered bands in modern metal due to an unceasing artistic drive.
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